Where Bollywood Comes Alive
Posts tagged mentor
Sonakshi wants it all
Aug 17th
The young starlet, who is being mentored by Salman Khan, reveals how she used to be chubby once upon a time
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Sweet and effervescent Sonakshi Sinha, the latest star kid on the B-town block, who makes her big screen splash with Dabangg, has found a surprise mentor in her hero Salman Khan.
Salman is taking a keen interest in shaping her career, is known to be monitoring her gym routine, teaching her to paint and even tutoring her on the kind of films she should pick!
All the effort has paid off as Sonakshi confirms that except for a film from Arbaaz Khan’s production house, she isn’t on a signing spree. There’s buzz that she’s teaming up again with Salman in her next film. She diplomatically says, “I know who I am going to be paired with next, but I can’t talk about it now. And if ever I am going to sign a film it should at least be as good as or better than Dabangg.
Sonakshi, who’s done a course in fashion designing, says films happened to her “by accident. I never thought about getting into films though I did have an interest in modelling. Actually, Arbaaz and Salman saw me walk the ramp and approached me for their film. Now I’m hooked to films. I enjoy acting.”
What did papa dearest have to say about her career choice? “He didn’t say much, but I know he’s proud of me.” Her father is essaying the role of NTR in Ram Gopal Varma’s Rakta Charitra. How much does she know about southern cinema ? “Almost nil. Maybe with time, I’ll get to know more about the southern film industry,” she says.
We hear Sallu’s teaching her to paint. “I was good at sketching (that’s part of my fashion designer training) but Salman taught me how to raise that art to a new level by introducing me to painting. Painting has a calming effect on me. For now I stick to forms and faces,” she says.
Talking of forms, the now svelte Sonakshi was once chubby young girl. How did the turnaround happen? “It took me a good two and half years to lose that excess 30 kilos. It was all about hard work and determination. I was gymming two hours per session twice a day and was also on a diet. I don’t think I can do it now. I tend to be lazy, but I do make it a point to go to the gym four to five times a week to maintain my weight and I avoid eating carbs at night. I eat healthy, that perhaps explains the glow on my skin!”
On a parting note, which younger co-actor would she like to romance in her next films. Her reply is prompt and predictable: “I’d want (to work with) Ranbir, Imran and Neil.”
SRK’s a friend; Salman is affectionate to me-Nikhil Dwivedi
Jul 20th

Nikhil Dwivedi talks about his equation with the two Khans of Bollywood
Deepali Dhingra | TNN (BOMBAY TIMES; July 20, 2010)
Raavan wasn’t favourably received at the Box Office. Was that disappointing for you?
Obviously, because every actor has expectations from his film. But at least I got some good reviews for my performance and that is heartening. I’ve seen the hard work put in by all, right from the director to all the actors, including Aishwarya and Abhishek. Somewhere, I don’t feel disappointed for myself but for the entire cast and crew. For me, this film was a step forward in every way.
What’s in the pipeline now?
I want to concentrate on the remake of Arjun, I’m quite excited about that. We have changed the entire script and made it contemporary as unemployment is not an issue so much now. But again, it’s about the main protagonist being against the system. Then there’s a film with Shashank Shah, who made Dasvadaniya. A film with Tushar Kapoor would be releasing sometime in September. It’s a very edgy film.
What’s happening with Basra?
Basra was delayed for some reasons. But I’ve been told by director Navdeep Singh that the project is on. I believe they are looking forward to shooting it sometime in October. They’ve taken my dates for it.
Recently, there have been rumours about your falling out and patching up with Shah Rukh Khan as well as your proximity with Salman Khan. What’s the true picture?
I’ve known Shah Rukh Khan a fairly long time, have always looked upto him and regard him as a mentor. Usually, I refrain from talking about our friendship because the position that I’m in, it looks I’m piggybacking on him, and I don’t want him or anyone else to get that impression. Just for that reason, I’m reluctant to talk about the friendship I share with him. Having said that, I have also known Salman for quite some time. Very recently, I joined him for his charity show in Dubai. Salman was extremely encouraging and very affectionate towards a novice like me. He was so affectionate towards me without ever wondering if Shah Rukh’s close to me. Shah Rukh has never ever told me who to be friends with or who to interact with. They’re two adults and they disagree, we should respect that. That doesn’t mean we can interact with one and can’t with the other. Each of them are doing their work and doing their best. One should interact with them and learn as much as one can from them.
Shahid, Sridevi in Shiamak Davar’s film
Jul 10th
A host of Bollywood A-listers to mentor slum children for Shiamak Davar’s directorial debut. It’s payback time, folks
Shiamak Davar’s directorial debut Naach Meri Jaan Fataa Faat, on slum children appearing for a dance competition, will have an entourage of Bollywood superstars working with him.
The process of selecting the slum kids will not be fataa fat though. The ten slum children (between the age of 5 and 18 years), 5 boys and 5 girls, who would be handpicked after a series of auditions, would be handed over to ten superstar mentors for training. Only post this stage will the kids face the camera for Shiamak.
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| Sridevi | Shiamak Davar | |
The hunt for these slum children will begin next month and the film team will be travelling across various slums in Mumbai including Dharavi (of course, that couldn’t be missed after Danny Boyle’s visit) and Kalyan.
The idea of selecting ten superstar mentors emerged from Shiamak’s long and illustrious career with the film industry. The film’s producer Shailendra Singh says, “We believe dance can really make a difference to the common man’s life.
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| Shahid Kapoor |
We chose Shiamak so he could guide the destiny of ten kids from the slums. Also, Shiamak has worked closely with many stars. Now it’s time for them to do something that would benefit not just Shiamak or our film but society at large.”
Sridevi, Madhuri Dixit, Hrithik Roshan, Shahid Kapoor are some of the superstars who will give their invaluable time to these children. Salim-Suleiman would be doing the vital music score and the film is expected to hit the screens on April 29 next year, which is World Dance Day.
Shahid Kapoor, Sridevi and Ruslaan Mumtaz said they would happily be part of anything that Shiamak Davar does.
Sanjay to play Shivaji?
Jun 29th
His role in Chhatrapati Shivaji Maharaj promises to be as compelling as the historical figure was
Though the project is completely under wraps right now, the casting of Sanjay Dutt as the majestic Maratha warrior in Chhatrapati Shivaji Maharaj is certain. At the moment, no one is talking on record about it, as they feel Dutt’s current assignments and his legal hassles would need a year to be sorted out.
A source close to the project says, “We can’t see anyone except Sanjay Dutt as the brave and flamboyant Maratha warrior, galloping across the screen, sword in hand. We want someone who comes close to Russell Crowe’s character in Gladiator or Robin Hood.”
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The director of the film, Soham Shah however, refuses to admit that Dutt is the first and the last choice for the role of Shivaji. “All I would say at the moment is, I can never make a film without Sanjay Dutt. He’s my mentor, guru, guide and support. If in spite of Kaal and Luck I’m still directing a project as big as Chhatrapati Shivaji Maharaj, it’s because of the trust and support of Mr Dutt. At the moment, I’m getting ready to direct a film for Sanjay Dutt Productions. Then I’ll start work on the Shivaji project.”
Soham calls it his dream project, one that he has been working on for over a year now. “I want to make the film in a way that would appeal to viewers between the age of 8 and 80. In terms of special effects, Chhatrapati Shivaji Maharaj would be on the lines of Prince Of Persia.” At the moment, the project is supposedly in Hindi. But Soham and his producers are exploring the options of making it a Hindi-Marathi bilingual.
Zarine’s back with Salman
Jun 21st
Salman Khan and his current muse Zarine Khan were very much a twosome at Aamir Khan’s Saturday night party
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| Zarine Khan fondly looks over the Khan brotherhood in full steam as host Aamir bonds with his favourite other Khan, Sallu Pic: Yogen Shah |
Seems like Salman and Zarine Khan are an item again. Agreed, that he didn’t get along with her in the initial stages of the making of Veer but the tables have turned now. Though Bruna and Claudia are closed chapters for sure, Zarine is back in his life.
On Saturday night, at Aamir Khan’s residential party, thrown for Academy Award-winning Argentinian music composer Gustavo Santaolalla, who is working on the musical score for Kiran Rao’s directorial debut Dhobi Ghat, Salman and Zarine walked in together at 12.28 am.
A source tells us, “Heads turned when Zarine and Salman walked in together. And soon enough, there were hushed whispers doing the rounds at the party. Zarine was lugging on to Salman sleeve throughout the party. Though he spent most of his time talking to Aamir, he didn’t mind her presence at all.” With an appendage that looks like her, why would he?
The relationship is symbiotic it seems. Not too long ago, Zarine Khan had reportedly made it very clear that she owes a lot to Salman and that she calls him her mentor. She had said, “I am here because of Salman Khan. He is my mentor who discovered me and gave me my first Bollywood break. He has always been very supportive and I owe a lot to him.”
Guess it’s payback time in that case. Salman has been quietly promoting Zarine to a lot of filmmakers. And thanks to him Zarine basked in the limelight at a recent awards function held in Sri Lanka. Our source says, “Zarine opened the function with her performance. Later, she joined Salman on stage as well.”
Vishal Bharadwaj, Chitrangada’s small town connection
Mar 20th
Every actor relies on someone for guidance. Not many know that the tall, dusky actress Chitrangada Singh, who comes from an Army background, banks on director Vishal Bhardwaj for career advice.
Both Vishal and Chitrangada hail from Meerut. Chitrangada says, “I didn’t know him in Meerut. But there was a bit of a connection when we met at the premiere of my debut film Hazaaron Khwaishein Aisi. He was very happy with my performance.
We just got along and have been in touch since then.”
Not being from the industry, she sometimes requires a reliable sounding board. She says, “I haven’t been around long enough to actually judge how a script will translate on screen.
Sometimes you’re stuck or thinking twice about a story and want to call up someone for advice. It is good to have a director to guide you. I can blindly call Vishal sir and I know he’ll give me the best advice.”
So, will we be seeing her in a Vishal Bhardwaj film soon? “He has been promising me a film for a long time,” she laughs.
Does she have other industry friends? She says, “I haven’t been around long enough, but I know Sanjay Suri, Onir, Ketan Mehta and Sudhir Mishra, of course.”
Movie Review: KARTHIK CALLING KARTHIK by FENIL SETA
Feb 27th
The successful jodi of Farhan Akhtar-Ritesh Sidhwani is back. Their banner have consistently come up with fine qualitative films like Dil Chahta Hai, Lakshya, Don, Honeymoon Travels Pvt Ltd, ‘Rock On!!’ and Luck By Chance. Hence, the expectations from their next, Karthik Calling Karthik were naturally high. However, the mixed and negative reviews that appeared in the last 24 hours did upset me a bit. However, all my disappointment went out of the window after watching the film. Karthik Calling Karthik is a wonderful, innovative flick which is stylishly presented and most importantly, has a completely unpredictable suspense!
The story of the movie: Karthik (Farhan Akhtar) lives in Mumbai alone. Although he’s a topper as a student, he is damn shy, introvert and not-so-confident which never allowed him to rise higher professionally. His boss (Ram Kapoor) ill-treats him every day. He’s in love with Shonali (Deepika Padukone) who works in office since years but he never got the courage to go and say even ‘Hi’ to her. His life was thus miserable. One fine early morning, he receives a call from, believe it or not, none other than himself! The caller, who also claimed to be Karthik, became his guide, mentor and his friend. He gave him the push to stand and face the world bravely. Slowly, thanks to the caller, Karthik’s life takes a bright turn. He also finds Shonali getting drawn towards him. Everything was going perfect. But at this point, problem arises in Karthik’s life.
Karthik Calling Karthik hooks you even before the first scene with the innovative presentation of titles. And as soon the scenes start rolling, we immediately get drawn to ‘loser life’ of Karthik. Director Vijay Lalwani allots adequate screen time to show Karthik and his ‘loser’ attitude. Obviously, things brighten up when Karthik gets the mysterious call for the first time. Things get even better when Karthik turns confident and shows everyone around his worth. Watch out here for the scene when he gets back to his boss-it was brilliant and easily the best part in the 1st half! The Farhan-Deepika love story was sweet and the goings-on, their conversations and Deepika’s past bad experiences seemed very real.
The post-interval portions were a little dry and one begins to wonder whether the film is going off-track. But it’s at this juncture that the whole mystery gets unveiled and it comes like a bolt from the blue. I guarantee that no one would be able to guess the suspense fully! And it’s because of this unpredictability factor that Karthik Calling Karthik works big big time! The climax came sudden but seemed totally justified!
This is a complete Farhan Akhtar film. He carries most of the film on his shoulders and comes out with flying colours. He amazes by the way he plays the role of a shy guy and later of a confident youth so effortlessly. First Rock On followed by Luck By Chance and now Karthik Calling Karthik-in each film he has scored! Great going FA!
Deepika Padukone like everytime looks charming and gives a confident and natural performance. Nice to see that she’ll be seen in 4 more films in the next 12 months! Ram Kapoor is simply amazing! He should shift base to films rather than anchoring Swayamvar seasons! Vipin Sharma as the landlord was funny. Vivaan Bhatena as Ashish was perfect in his supporting role. Shifaali Shah (why the hell has Shefali Shah changed her name’s spelling?) was awesome as the psychiatrist. Others did a good job too.
Shankar-Ehsaan-Loy’s music is breezy. Uff Teri Ada is already a sensation and is a treat to watch in the film too. Hey Ya is nicely placed and the title song that comes during the opening credits was brilliant! Midivial Punditz and Karsh Kale’s background score was lilting. Sanu Varghese’s cinematography was eye-catching especially in the Kerela scenes. Babylon Fonseca’s background score was effective. Aarti Bajaj’s editing was slick.
Finally, debutant Vijay Lalwani scores full marks as the dialogue/story/screenplay writer and as a director! Dialogues were sharp and very witty at times. Story was unusual and very original (although you might be reminded of similar films in this genre at some point). Screenplay and direction was amazing. Vijay knew his job well and hence was able to deliver a class product! Most importantly, he wins because of the unpredictability of the film. At several points, you feel you know what shall happen next but the unexpected occurs! Great work Lalwani and looking forward to your next film!
Some of the best scenes of the film:
1. All scenes of Karthik and his boss
2. Karthik getting the first call from Karthik!
3. Karthik teaches his landlord a lesson
4. Karthik and Shonali’s first date
5. All songs (very well picturised)
6. The intermission point
7. Psychiatrist at Karthik’s house at 5 am (awesome scene!)
8. Shonali at Karthik’s house at 5 am (even better one!)
9. Karthik’s strange journey
10. The last 15 minutes
11. The last scene
On the whole, Karthik Calling Karthik is a fabulous thriller that’s cleverly made and wonderfully performed! Watch it for some hatke experience!
My rating-**** out of 5!
Who did SRK model himself on?
Feb 15th
It isn’t easy spending almost all your married life explaining that your son has Asperger’s Syndrome. Now aged 35, he is a senior correspondent with a news agency, after graduating from St. Xavier’s College with Economics and Sociology and also securing a distinction in English at ICSE.
His achievements have mainly come about due to his cooperation in the interventions my husband Yorrick and I chose for him since he was three years old.
With problems faced by dyslexics portrayed in Taare Zamin Par, followed by progeria (Paa), it appeared that it wouldn’t be too long before Bollywood explored the idea of using asperger’s syndrome to promote a story.
Knowing the formulaic nature of the brand, I went to watch My Name Is Khan with mixed feelings and emerged with one question: Who did SRK model himself on?
The main intention of the film is clearly to highlight the plight of Muslims post 9/11. It appears that given the current scenario, everything is grist to the current Bollywood mill. Hence the introduction of a hero afflicted by Asperger’s Syndrome to heighten the travails of the underdog as hero.
However, the complexities of the disorder have been twisted to suit the plot. It is clear that the film-maker has only a vague idea of this complex condition. In the film SRK as Rizwan faces a double bias post 9/11 - having AS and being a Muslim. It is a very complicated situation and has to be dealt with sensitively by doing justice to both predicaments.
One is a human disability issue and the other, an important political issue. Cinema evokes powerful responses and can act as an engaging medium to draw attention to serious issues, to anguish and suffering, when handled with depth as has been done, for instance, in A Beautiful Mind, My Left Foot and indeed our own Taare Zamin Par. However, MNIK uses AS to push the point about religious prejudice.
AS, with its features of oddness immediately draws attention. Yet, it is Rizwan’s soft chanting of prayers that draws a co-passenger’s attention, following which he is taken aside to be thoroughly frisked at an international airport. An identity card showing him to be ‘autistic’ is found on his person and he’s subsequently released only to miss his flight.
There is no evidence of an identity card at the time of his arrest when he goes to meet the President much later in the film. This, after he’s been taken for counseling by his sister-in-law who recognises signs of the syndrome. Consistency is not one of the film’s strong points. Also, it is not clear how he manages to get an American visa on his own and navigate the customs at the airport.
There are many instances in the film that reveal the confusion in portraying the central character. From his verbal and body language, he demonstrates traits of autism, autistic ‘savants’, high functional autism and asperger’s syndrome.
At several points in the film, SRK is probably so focused on his interpretation of the asperger’s look that he appears blind as well. But asperger’s syndrome is on the high-end of the spectrum, so adults have a less aloof expression. There is a good deal of significant difference in the spectrum.
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The one thing that evokes immediate sympathy is the character of Ammi. She’s poor but with compassion, rejoices in her son’s abilities. Her belief in her son sustained by prayers and deep human values which underpin the courage with which she copes with harsh reality, resonate with me.
Parental and familial support is the prime reason for success in the lives of people with AS. Sibling animosity is commonly acknowledged and here it’s an authentic portrayal. The next close relationship Rizwan has is with Mandira. This is the USP of the film. Sadly, the film shows inadequate knowledge of the stresses of such relationships in real life. AS is marked by impairment in social interaction inevitably leading to an inability to enter into and maintain satisfactory interpersonal relationships.
Case studies reveal that the non-AS spouse has to cope with additional roles including those of caregiver, mentor, advocate and executive secretary! The viewer may be won over by Kajol’s proven skills and gamine charm but serious questions remain. Although a good many ‘pretty women’ prefer personality over looks while choosing a partner, very few will choose one who’s got a visible personality disorder.
A prominent feature of AS is above-average talent in a special area. Rizwan is good at repairing machines. In one of the best scenes, a very young Rizwan, covered in grime, is happily sorting through used car parts in a junkyard before being chased out. His aptitude is strangely ignored by his brother when he employs him as a salesman in his cosmetics business.
There we go again! Their lack of social skills make them “back-office boys”. They are by definition not ‘marketers’. Resourcefulness of the kind displayed by Rizwan when he emerges as the hero who helps people when Cyclone Katrina hits Georgia, is exaggerated. In such a scenario, it’s highly unlikely that he would be an organiser.
The film glosses over genuine difficulties with spontaneous communication which impacts their social interaction. Individuals with AS are also known to be uncommunicative; Rizwan talks too much.
He is very well-groomed for the part as well. Those afflicted with AS really cannot be bothered about their appearance.
Finally, there’s the major problem when arrested by the police for declaring “My name is Rizwan Khan and I’m not a terrorist”. Research shows that individuals on the autism spectrum are seven times more likely to come into contact with police.
Typical manifestations of the disorder such as an inability to empathise, impulsive behaviour, over-frankness and a lack of understanding of the outcome of situations, may be misunderstood by law enforcement authorities with serious consequences.
The awareness of such difficulties has led parents and care-givers to form support groups in the US and many other countries which have succeeded in putting in place disability laws which protect the rights of this vulnerable segment of the population.
Strangely, none of this kind of restraint is shown when Rizwan is arrested till the media highlights his plight. This heartbreaking experience points the way to the direction in which our own legislation should move.
Notwithstanding all its inadequacies as far as research about the condition and portraying the disability goes, the film has several endearing moments for which this team (KJo, SRK and Kajol) is known for.
Katrina’s sis in sex video?
Feb 11th
A sexually explicit video of a girl purported to be Isabel Kaif is doing the rounds in Mumbai
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| A grab from the video |
Even before Isabel Kaif could seriously begin her Bollywood career under the mentorship of elder sister Katrina Kaif, a sexually explicit video of a girl bearing an uncanny resemblance to her is doing the rounds in Mumbai.
In fact, rumours about the video have been circulating for a while. Mumbai Mirror discovered that the DVD is freely available with hawkers outside most suburban railway stations.
The clip, probably shot with a camcorder in a hotel room, does not show the face of the man but the girl is clearly visible. It also appears that she is aware that she is being filmed.
The particular portion in the DVD, which is a part of several other sexual encounters by various other protagonists, is boldly titled ‘Isabel Kaif’ in the menu.
While the girl does seem to have a striking similarity to Katrina’s sister, it could not be conclusively established whether it is indeed her.
Rahman wins 2 Grammys
Feb 1st
By Subhash K. Jha, February 1, 2010 – 11:19 IST
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After the Oscars and the Padma Bhushan, it’s Grammy time for A R Rahman. On Sunday night, his music for Slumdog Millionaire won two Grammy awards, setting Rahman’s global score even higher in 2010 than it was last year.
Reacting to the double Grammy whammy, Rahman said, “I never even dreamt about winning all these awards. I once again want to thank the Almighty, my spiritual Sufi teachers Ameen Peerullah Malik Sahib, Danny Boyle and the whole Slumdog creative team.”
After the Grammy, Rahman also had a special word of thanks for his mentor Mani Ratnam and his mentors in Mumbai, Shekhar Kapur and Subhash Ghai and mentor in the West, Andrew Lloyd Webber.
Back home, Rahman is happy to have received the Padma Bhushan. But unhappy about the fact that a lot of the deserving artistes remain unrecognized by the government. “There’re so many deserving candidates for National Awards, still unsung. On the other hand, I believe people with dubious records get recognized. That isn’t fair. Personally speaking I’m very happy to get the Padma Bhushan. Ever since the announcement my phone hasn’t stopped ringing. I think I’ve received more congratulations for the Padma than for the Oscars.”
Rahman says he’s prouder of the Padma Bhushan than the Oscar. “It definitely means more when you’re recognized by your own people and country. I definitely value this award more than the Oscar or Grammy,” said Rahman before flying out to Los Angeles for the Grammys. “My award comes in a category that won’t be televised. So it won’t be like Slumdog Millionaire where people back home could watch me.”
Much has been said about the two Padma winners Rahman and sound designer Resul Pookutty’s disappointing follow-up collaboration in Blue after Slumdog Millionaire. But Rahman stands by Blue. “The script was a bummer. But grant the director Anthony D’Souza for the fact that he tried something different. I enjoyed doing Blue.”
Our resident Mozart is amused by premature reports in the press that his song ‘Na Na‘ from his first Hollywood soundtrack has been nominated for and Oscar.
Says Rahman, “‘Na Na‘ is short listed. It’s one of 63 songs in the race. Not nominated yet. It’s an English song.”
BOLLYWOOD HUNGAMA.COM













