Posts tagged Ganesh Yadav

Movie Review: CITY OF GOLD by TARAN ADARSH

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By Taran Adarsh, April 23, 2010 – 10:25 IST

I genuinely feel that VAASTAV is Mahesh Manjrekar’s most accomplished work to date [I am counting Hindi movies, not the Marathi films he made]. He made scores of movies subsequently. I liked some [ASTITVA, VIRRUDH]. I detested some. In my individualistic opinion, Manjrekar’s creative skills were on a decline post VAASTAV, though there was a ray of hope once in a while. His new film, CITY OF GOLD, is not VAASTAV, but it almost reaches there.

CITY OF GOLD is as stark and real as a gash or an open wound. Of course, I am no one to comment on whether CITY OF GOLD is a true and complete representation of the mill workers’ plight, but as a moviegoer, this film worked for me at several levels.

BY BOLLYWOOD HUNGAMA.COM

CITY OF GOLD talks of a family in particular and has several layers, numerous characters and various stories to tell. I was reminded of VAASTAV in a couple of sequences [Karan Patel's track specifically], but I am not complaining. In fact, I liked it!

CITY OF GOLD has several watchable moments and also the grip, so essential for a film that’s about to tell you a story that you aren’t aware of. But there’s a flip side too. The story seems stretched. Ideally, the film should’ve ended the moment Karan Patel is shot dead and the subsequent portions could’ve been narrated in a matter of seconds, without delving into details.

Yet, when you weigh the pros and cons, I’d say, the positives overweigh the More >

Movie Review: CITY OF GOLD by FENIL SETA

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They clothed the city and the city in return stripped them off-this is the tagline of the film and suits it to the T. The mill workers worked in the mills honestly for generations but after the mills were closed post the spat between the union and the government, the workers were unemployed and had a terrible existence. And the mills (most of them located in Central Mumbai) got converted into swanky malls, offices and high-rises (India’s first Big Bazaar is located at Lower Parel on a land once belonging to the mills). The plight of the mill workers is an interesting idea for a film script but till date, there have been handful of films which have focused on it. Mahesh Manjrekar finally took up the subject and came up with City Of Gold. The film borrows a part from real-life incidents and characters but the end product is completely fictitious. The film is worth watching but don’t go for it expecting to gain insight about the true picture of mill workers.

The story of the movie: The year is 1982. The disgruntled workers of Khetaan Mills in Lalbaug-Parel area reside in Laxmi Cottage. They haven’t received their salary since 6 months. Part of mills has already closed down and fears that the entire mill will become dysfunctional looms over their head. Rane (Sachin Khedkar), the union leader under the guidance of Dr Baburao Sawant is the champion of these workers and has promised victory to them. But the owner of Khetaan Mills, Mahendra More >

Movie Review: LALBAUG PAREL by FENIL SETA

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This is a bilingual film shot in both Hindi and Marathi. While the Marathi version titled Lalbaug Parel released 2 weeks back, the Hindi version called City Of Gold will hit the screens tomorrow!

They clothed the city and the city in return stripped them off-this is the tagline of the film and suits it to the T. The mill workers worked in the mills honestly for generations but after the mills were closed post the spat between the union and the government, the workers were unemployed and had a terrible existence. And the mills (most of them located in Central Mumbai) got converted into swanky malls, offices and high-rises (India’s first Big Bazaar is located at Lower Parel on a land once belonging to the mills). The plight of the mill workers is an interesting idea for a film script but till date, there have been handful of films which have focused on it. Mahesh Manjrekar finally took up the subject and came up with Lalbaug Parel. The film borrows a part from real-life incidents and characters but the end product is completely fictitious. The film is worth watching but don’t go for it expecting to gain insight about the true picture of mill workers.

The story of the movie: The year is 1982. The disgruntled workers of Khetaan Mills in Lalbaug-Parel area reside in Laxmi Cottage. They haven’t received their salary since 6 months. Part of mills has already closed down and fears that the entire mill will become dysfunctional looms over their head. Rane More >

Movie Review: PHOONK 2 by FENIL SETA

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When it comes to sequels, Ram Gopal Verma seems to follow a strategy. The first part would be much better than the second one, with happy endings and all. In the sequel, most of the main characters will die with the flick having a sad climax. He did this in Sarkar and Sarkar Raj and does the same with the sequel of Phoonk-Phoonk 2! Phoonk 2 has ample scary moments (esp in the 2nd half) and that’s where it scores over Phoonk (which was anything but scary). However, the boring 1st half and the unacceptable climax turns the film into a disappointing fare.

The story of the movie: After Rajiv’s (Sudeep) daughter Raksha (Ahsaas Channa) is freed of evil powers and black magic woman Madhu (Ashwini Kaleskar) is killed, there is happiness in abundance for Rajiv’s family. He, along with Raksha, wife Aarti (Amruta Khanvilkar), son Rohan (Rishabh Jain) and maid Laxmi (Anu Ansari) head to Alibaug for a holiday where they have got hold of a beautiful sea-facing bungalow. As soon as they land there, they feel the eeriness in the atmosphere. Trouble begins when Raksha and Rohan wander into the nearby forest and find an abandoned doll. Thus begins a series of terrifying experiences for the family. Soon, Rajiv finds the truth-the ghost of Madhu is back to seek revenge.

The first half is boring with not much movement in the film’s narrative. Only few scenes here and there manage to scare. The film really turns exciting just before the intermission when Rajiv finds the More >

Promo: CITY OF GOLD

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!CHECK OUT THE POSTER OF THE FILM HERE!

Cast: VINEET KUMAR, SAMIR DHARAMADHIKARI, KASHMIRA SHAH, SATISH KAUSHIK, GANESH YADAV, SACHIN KHEDEKAR, SEEMA BISWAS, SIDDHARTH JADHAV, ANOUSHA DANDEKAR

Producer: ARUN RANGACHARI

Director: MAHESH MANJREKAR

First Look: CITY OF GOLD

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!CHECK OUT THE PROMO OF THE FILM HERE!

Cast: VINEET KUMAR, SAMIR DHARAMADHIKARI, KASHMIRA SHAH, SATISH KAUSHIK, GANESH YADAV, SACHIN KHEDEKAR, SEEMA BISWAS, SIDDHARTH JADHAV, ANOUSHA DANDEKAR

Producer: ARUN RANGACHARI

Director: MAHESH MANJREKAR

Source: BOLLYWOOD HUNGAMA.COM

Movie Review: RUSLAAN by TARAN ADARSH

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By Taran Adarsh, September 11, 2009 – 16:00 IST

Times have changed, but certain film-makers are still stuck up in the era gone by and that reflects in their cinema. That’s what you realise when you watch RUSLAAN.

The film highlights a terrorist act that shook the nation a few years ago and how the life of an innocent goes topsy-turvy when he’s falsely framed as a terrorist [KHUDA KAY LIYE and more recently NEW YORK also depicted this]. But the gravity of the situation doesn’t come across on the screen because the writing is amateurish and the execution, childish.

BY BOLLYWOOD HUNGAMA.COM

Ruslaan [Raajveer] lives with his parents and a younger sister. He’s in love with Samaira [Meghaa Chatterjee]. One day, a series of blasts occur at various railway stations of Mumbai and the cops arrest Ruslaan for this act of terror.

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Director Mohan C. Sharma looks at a serious issue [train blasts in Mumbai], but there’s nothing in the film that moves you or makes you think. In fact, the love story [between Raajveer and Meghaa] is also under-developed and the terrorist track is poorly written as well.

Why is Ruslaan picked up by cops, is never explained. Also, Ruslaan is thrown in a lock up, but the execution is such, it gives an impression that he’s a petty thief, not a terrorist. Seems like no detailing whatsoever has gone into the scripting [writers: Brahma-Dhruv]. Music [Raees Jamal Khan] is the sole saving grace. ‘Maula Maula’ is the pick of the lot.

Raajveer More >

FENIL SETA recommends PHOONK!

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Phoonk is not flawless, but still it deserves the highest praise. A film with no known star cast and made on a budget of just Rs. 3 crores manages to attract audiences and achieve the ‘Hit’ status-a very big achievement, considering the fact that nowadays even multi-starrers and films starring superstars fail miserably. I had missed this film in theatres. 2 months back, I won its VCD after I participated in an online survey! And now that I am free, I finally saw this film last week. As mentioned earlier, the film has some minuses but overall, it manages to entertain, thrill and scare a bit too! The story of the movie: Rajiv (Sudeep) is a rich and successful construction engineer, living in a posh duplex house in Mumbai. He has a lovely wife Aarti (Amruta Khanvilkar), adorable children, Raksha (Ahsaas Channa) and Rohan (Shrey Bawa) and a god-fearing mother (Jyothi Subhash). Rajiv is an atheist and doesn’t believe even in the existence of God or evil forces. But one day, his daughter Raksha gets falls into the trap of demonic forces and this compels Rajiv to get out of his beliefs and take necessary action against it. But how would Rajiv do it? And who is behind these evil acts? Watch Phoonk to find out!

Many may not like Phoonk but one can’t deny the fact that the film engrosses the viewer right from the first scene and keeps everyone glued to the screen till the end. The film doesn’t send the chill down the spine but there are ample thrilling moments in More >

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