Where Bollywood Comes Alive
Posts tagged alcohol
Hrithik on a special diet to get back in shape
May 9th
Hrithik Roshan was used to being supremely fit – until he signed Sanjay Leela Bhansali’s Guzaarish. He was under strict orders to look less muscular and sport some weight around his midriff. Now that the shoot is complete, Hrithik is dying to get back to his fit, muscular self.
His next film, too, demands that put on five kilos, but he has to accumulate the weight in terms of muscle mass. So Hrithik is determined to look fit and his sheer willpower will see him through punishing workouts and diet. A thorough professional, he wants to look the part for Zoya Akhtar’s Running with the Bulls.
The actor is going through hardcore gym training for three hours every day in his new gym on the terrace of his Juhu residence (Palazzio, Road No 12) under the guidance of his fitness trainer Satyajit Chourasia. Until recently, he was training for about an hour every day. “We have two sessions every day. Hrithik is increasing his muscle mass,” says Satyajit.
Naturally, Hrithik has to adhere to a lot of dos and don’ts as far as his diet is concerned. The star may enjoy his drink, but now he has gone off alcohol. “Yes, no alcohol for Hrithik now. However, I don’t mind if he has an occasional drink. He eats chicken and fish every day. And, the carbohydrate intake post-evening ranges from low to nil.”
Hrithik is eating about 12 eggs every day. “Four eggs in the morning, four in the afternoon and four in the evening/night. It’s not easy, but this man is a very committed actor,” says the trainer.
“Results are expected in two months,” concluded Satya. Well, we won’t be surprised if Hrithik meets the deadline. We remember how he put himself through a strict regime and decreased his waistline from 32 inches to 28 for an ad in April 2009.
Meanwhile…
Karan Johar had a tough day today as he got a number of annoying calls, courtesy Hrithik Roshan. Apparently, yesterday, Hrithik revealed on Twitter that he calls Karan “Pappu”. This is Hrithik’s affectionate nickname for Karan. However, after this revelation, everyone who called or texted the director, addressed him as Pappu.
Karan has been getting calls since morning and is irritated with Hrithik talking about his pet name in public.
Hrithik has been calling him Pappu for ages as Karan was fat and round. However the nickname was a well kept secret till Thursday night.
Obviously Karan is far from amused.
I learnt how not to abuse my freedom-Abhay Deol
May 2nd

Though moving away from an overprotective family was liberating for Abhay Deol, it also taught him how not to abuse his freedom
NILANJANA NAG (MUMBAI MIRROR; May 2, 2010)
No offence Mr Johar, it’s not all about loving your family. Contrary to popular belief, kids with filmi parents don’t always have a dreamlike, Hum Aapke Hain Kaun-upbringing. Abhay Deol speaks of the advantages of breaking away from family to grow as an individual.
Emotional atyaachar
Frustrated with his cocooned adolescence, Abhay was turning into an ill-tempered teen, craving freedom. His shielding family and their over intrusive rules were turning him into a rebel. “Perpetually jealous of my friends, who used to party often, I started hating being at home and having someone to cook and clean after me all the time,” says Abhay. “Only when my parents sent me to Los Angeles for higher studies did I change at a core level.”
Unfettered and full of potential excesses, Abhay’s new life in LA was quite like an opened Pandora’s box. Fortunately, it taught him how to make the right choices too. Earlier, an opportunity, whether good or bad, was only a key to break rules. He says, “Everything was available but it was up to me to not go crazy with money, alcohol, drugs. I learnt how not to abuse my freedom.”
Dost dost na raha
Abhay’s self-realisation wasn’t entirely comfortable though and the cold US weather didn’t help. “I was lonely there and it was difficult initially, until I made friends,” says Abhay, who had started interacting with people who thought like him, had the same interests as his. His worldview started widening in their company and he started questioning stereotypes. “For the first time, I understood the dignity of labour. I realised that my cleaning lady was no different from the owner of a company because the money she earned wasn’t all that gave credibility to her work.”
For Abhay, old friends were turning into bookends, only the bad way. He says, “I realised that the friends I had made back in Mumbai were mostly people to go party with and that friendships were made out of desperation then. And this didn’t change even after I returned to India. My friends were living in a bubble that I had grown out of.”
The beginning…
Thankfully, Abhay’s former friends didn’t grudge him for having “moved on” and neither did his parents when he returned to India. Did they notice the change? Abhay agrees and adds, “I moved out after coming back and their support was a welcome surprise, considering how nervous and sheltering they were. Everything’s different for me today. What was forbidden and sweet once, is just a fruit now.”
50 city cinemas to show IPL matches
Mar 11th

Bharati Dubey | TNN (THE TIMES OF INDIA; March 11, 2010)
It is cricket-ainment time at cinema halls across India, with nearly 650 screens gearing up for live telecasts of Indian Premier League (IPL) matches, which will begin from Friday and continue for more than six weeks. Sources said that the final number of screens could cross 700. Cine-goers will get to watch matches without commercial breaks and also avail of other incentives. Topmost among them is master-blaster Sachin Tendulkar’s autographed bat, which will be circulated across all cinemas and later auctioned. Sanjay Gaikwad, of UFO Moviez, said, “A bat Tendulkar has used will be auctioned off.’’ The funds will go to Apnalaya, an NGO endorsed by him.
Tendulkar also auctioned off the first theatre ticket for the matches. From a base price of Rs 5 lakh it went for Rs 11 lakh. The money will also go to Apnalaya. Tendulkar said, “This is a very good initiative and if high-content cricket reaches the remotest areas of the country more and more youngsters will be encouraged to play the game.’’
In Mumbai, about 50 cinema halls will screen matches, including Cinemax, New Excelsior, Roxy, Meghraj (Vashi), Gem (Bandra), Inox, Fame, PVR, Big and Broadway (Kandivli).
While the cinemas are geared up for the games, there is a small hitch in opening the advance bookings. Inox cinemas’ vice-president (marketing) Harshvardhan Gangurde said, “We are all set, but await a formal notification from the state government on taxes. Otherwise, things are in place.’’ There will be no entertainment tax exemption on IPL tickets. Gaikwad added, “The government will be charging about 20 to 34%, which is the same for any film ticket.’’ Sources said tickets would cost Rs 250 to Rs 300, the cost of an average movie ticket on weekends.
Some cinemas will offer alcohol. Devang Sampat, vice president, Cinemax Cinemas, said, “Corporate bookings have started and we are offering alcohol with them.’’
Most team sponsors have already done block bookings for the entire IPL season. A source said, “There is a lot of demand for Kolkata Knight Riders and Mumbai Indians, who probably have the maximum sponsors on board. Last season, KKR matches got the maximum eyeballs. With Tendulkar in tremendous form, there will definitely be a mad rush for his matches too.’’ Cinemas will offer cricketing merchandise and have cheerleaders, celebrities and live bands. Gaikwad said, “We are trying to bring the stadium into the theatre. There are lot of small towns where bookings are full and we have to add screens. In Nagpur it’s house-full even before the tournament begins.’’ In some states, including Tamil Nadu and Andhra Pradesh, cinema halls will not be able to screen the matches as film producers have objected because there would be fewer screens to show local movies. Gangurde, of INOX, said, “We hope to resolve the issue in Bangalore, but no live telecasts will happen in cinemas in TN and AP.’’
Shraddha Sharma breaks off with Raja Chowdhury
Mar 10th
Shraddha Sharma and Raja Chowdhury have called off their relationship
Controversial actor Raja Chowdhury and item girl Shraddha Sharma have broken up.
Both of them had been going steady for nearly a year now and were even supposed to get engaged by the end of this month, but things went kaput after Shraddha found Raja cheating on her with two girls. His escapades were caught on camera by the team of a reality show.
When contacted Shraddha Sharma said, “This is shocking for me. It’s all over between us. He is constantly calling me but I don’t want to have anything to do with him anymore.
Many of my friends warned me about getting into a relationship with him, but he always showed how caring and nice he was. He called me and told me that he was under the influence of alcohol but that’s no explanation.”
Speaking about dealing with the trauma Shraddha said, “I guess everything happens at the right time. I am busy doing films down South. One of my films Jeeva has just released and I am shooting for one more film Jaye Ho. I am also doing a couple of reality shows, so life is busy – it will divert my attention from all this.”
Two women directors cry abuse at film fest
Feb 25th

Organiser’s Hubby Charged With Lewd Behaviour
TIMES NEWS NETWORK (THE TIMES OF INDIA; February 24, 2010)
New Delhi: At a time when Delhi’s hoping to do away with its reputation as a city of sexual predators, a complaint has been lodged by two prominent women film-makers against the organizers of a city film festival.
The complainants—Oscar-winning screenwriter and director Jane Campion and well-known Pakistani director Ayesha Arif Khan—have alleged that the spouse of the festival organizer, Shyamoli Banerjee, had sexually harassed the two during the India International Women Film Festival (IIWFF) held in December last year.
According to the complaint sent to the ministry of urban development, the two women have allegedly accused Banerjee’s husband, Bhaskar Deb, of lewd behaviour as well as sexual harassment. Saugata Roy, minister of state for urban development said, ‘‘We have received complaints from two women who attended the film festival, Jane Campion and Ayesha Khan. The matter is now under investigation.’’ Roy, who said the complaints have been sent to the police, added that the complaints were not the only issues connected to the organizers.
‘‘The organizers had approached us for holding the festival in Vigyan Bhawan. Though we usually don’t allow such exhibitions at Vigyan Bhawan, we had given permission to Ms Banerjee to hold the event there. But, on the day of the event they were supposed to deposit Rs 10 lakh, which they couldn’t manage,’’ said Roy.
Unavailability of the venue led to the cancellation of the festival’s opening, alleges Banerjee. ‘‘The complaints are baseless. Neither of the complaints have been shown to us. They are fabrications,’’ Banerjee said.
Accusing the ministry of deliberately sabotaging the festival, Banerjee added that neither Campion nor Khan had ever complained about her husband’s behaviour to her. It’s a stance that Deb also takes. Denying meeting Campion during the film festival, Deb claims Khan’s accusations are because of professional disputes.
‘‘Because I had questioned her cinematic knowledge, she has turned vindictive,’’ he claimed. The couple is now planning to take legal action against Khan.
In the complaints received by the MoUD, Khan has alleged that ‘‘she was repeatedly mauled by a drunken Bhaskar and constantly offered alcohol’’. Campion is an Oscarwinning director—she got the best screenplay award for the Piano in 1993—and Khan is a director in Pakistan.
Campion had allegedly also branded the festival a fraud in her complaint, claiming she had come only because the organizers had claimed the festival was connected with the urban ministry. Roy, however, denied any such connection.
The gesture of sucking Arshad’s thumb was so raunchy-Vidya Balan
Jan 9th
By Subhash K. Jha, January 8, 2010 – 12:02 IST 
Vidya Balan who never touches alcohol shot for special risqué number entitled ‘Ibn Batuta‘ in Ishqiya with her co-stars Naseeruddin Shah and Arshad Warsi. Says Vidya, “We shot the song last month after the entire shooting was completed. I don’t drink and I had to act sozzled along with Naseer saab and Arshad.”
The track will be used in the opening and credit titles of Ishqiya.
Says Vidya, “Arshad is a fab dancer. And Naseer saab was having a ball dancing to the song Vishal Bhardwaj had composed. I think the last time he danced was for ‘Oye Oye‘ in Tridev. But you can’t tell. He’s so good. Both the guys were having so much fun, and I had to join in pretending to be totally drunk.”
The song came out so well that the director Abhishek Chaubhey was thinking of using it in the narrative. But since it didn’t fit in, ‘Ibn Batuta‘ will now just be part of the credit titles.
That isn’t the only daredevil thing Vidya has done in Ishqiya. This has to qualify as one of the most sensuous things a mainstream Hindi-film heroine is seen doing in any movie.
In what Vidya Balan describes as the most blatant come-hither gesture she has ever seen any actress in Hindi cinema make, in Ishqiya she was required to take Arshad Warsi’s thumb in her mouth and suck on it suggestively.
Each time she did so in the rehearsals, Vidya would burst into uncontrollable giggles. And Arshad would join in. Recalls Vidya, “Fortunately, Arshad is a friend. We’ve gotten along well from the time we did Lage Raho Munnabhai together. I don’t know if I’d have been able to do a scene like putting my co-star’s finger in the mouth if it was some other actor. That gesture of sucking Arshad’s thumb was so raunchy and sexy, and that’s so not me, I couldn’t connect with it all.”
That sense of non-connectivity, says Vidya, runs through her character in Ishqiya. “I play this rustic voluptuous woman. All my weight-loss happened after I did this film. I had to look filled up for this part. In Ishqiya, everything from the way I wore my saree to the way I looked at men, was alien to me. The role exposed me to a new way of interpreting a liberated woman. My character in Ishqiya may not know about feminism. But she’s truly liberated.”
Vidya is now looking forward to the release of Ishqiya in January. “The director Abhishek Chaubhey had to constantly keep giving me a pep talk. Quite often I was stuck because of the language and content.”
BOLLYWOOD HUNGAMA.COM
Father of Slumdog Millionaire star dies
Sep 5th
Mohammed Ismail, left, holds the hand of his son, Azhar, 10 – a star of Slumdog Millionaire – and his wife Shamim in the flat bought for them by the filmmakers. The picture was taken the day before his death Photograph: Gethin ChamberlainThe father of Slumdog Millionaire child star Azhar Ismail has died of tuberculosis at the family’s home in Mumbai.
Mohammed Ismail’s premature death will inevitably fuel the controversy surrounding the fate of the slum children who appeared in the movie, which has grossed more than £86m worldwide since its release.
He died today in the new flat bought for the family by the trust set up by director Danny Boyle. Azhar, 10, was at school at the time and did not learn of the death until he returned home in the early evening.
In the movie Azhar played the part of Salim, the brother of the film’s lead character. In February he travelled to Los Angeles for the Oscars ceremony, where the film picked up eight awards, and on his return to the slum with co-star Rubina Ali he was greeted by cheering crowds.
But the failure of the children to subsequently escape the slum life has been the subject of controversy both within India and abroad.
Ismail found himself at the centre of a media storm after he was photographed slapping Azhar for refusing to talk to journalists shortly after the Oscar ceremony.
Azhar later said that the image portrayed of his father was undeserved. “I was being naughty and he slapped me like any father would. I was the one who was wrong,” he said.
Ismail refused to abandon his dependence on alcohol – something he shared with a large number of men in the slum – despite the media spotlight on his life. But he was clearly very proud of his son’s success. “The fact that a poor man’s child has made such a name for himself, that’s what makes me most happy,” he told journalists.
Until two months ago the whole family still lived in the illegal Garib Nagar slum in the Bandra area of the city. A makeshift shelter that was their home until the film propelled them into the public eye was replaced by a slightly more substantial tin sheet structure built with the help of neighbours, but that was later torn down by the city council.
Ismail had been ill for some time and had twice been admitted to a tuberculosis hospital in Mumbai after being turned away by another hospital in the city, which refused to admit him in case he infected other patients.
His wife said he had been unhappy with the treatment he received in the hospital and had discharged himself.
Tuberculosis is now rare in the UK but remains a major killer in India, where about 1,000 people die of the disease every day. Most of the £1,725 Azhar earned for appearing in the movie was spent on treating his father’s illness.
When The Guardian visited the family in the flat yesterday, it was clear that Ismail’s situation was critical. He lay on the floor of the one-bedroom flat, wrapped in a bundle of blankets, his body wasted, no longer even able to stand up. Asked what would become of him, he said it was in the hands of Allah.
Dinesh Dubey, a family friend who witnessed his death, said it was peaceful.
“He was waiting for me to arrive, I think,” he said. “When I got there his clothes were still moving and his hands were shaking and, after a couple of minutes, there was no more movement.”
Until a few days ago Ismail had still been living in the slum where Azhar was born and brought up. He had stayed on when his wife and son moved into the new flat a short distance away from the slum, because he said that he needed to be there to continue his business selling scrap wood and he was reluctant to move away from his friends.
Unable to understand why the family had not been immediately rehoused when the film became a box-office success, he had regularly criticised Celador films, which made the movie, for abandoning them to their fate.
But the company maintained that it was doing everything it could to help the families of the child stars and had set up the Jai Ho Trust to take care of their welfare and to find them new accommodation.
The new apartment will be transferred into Azhar’s name when he reaches 18 and he is expected to stay on there with his mother. They share the flat with Azhar’s older brother and his wife.
GUARDIAN.CO.UK (September 4, 2009)



